This post is actually more of a plea.
William Hogarth's famous etchings depicting the downward progress of the rake were the result of an extensive tour he performed of London's environs, often very seedy environs indeed, in which he sketched what he saw. The result was, according to himself, several thousand sketches which then formed the basis of the ensuing work. A bit like photo-journalism but with the distinct disadvantage that a quick snap and then legging it was out of the question. In some of the places he hung out during this sojourn that disadvantage must have been very dangerous indeed.
What I did not know and only learnt recently was that he was accompanied on this tour by a chronicler who recorded Hogarth's progress (though not the rake's) in, of all things, the form of poetic doggerel. What an odd couple they must have made, and even by the standards of the day what a delightfully eccentric way to have chronicled their venture into London's low-life.
I have one snippet of the chronicler's output describing Hogarth in the Billingsgate district:
"Our march we with a song begin.
Our hearts were light, our breeches thin.
We meet with nothing of adventure
Till Billingsgate's dark house we enter;
Where we diverted were, while baiting,
With ribaldry not worth relating
(Quite suited to the dirty place);
But what most pleased us was his Grace
Of Puddle Dock, a porter grim,
Whose portrait Hogarth, in a whim,
Presented him, in caricature,
He pasted on the cellar door."
Isn't that lovely? Has anyone else found any more of this anonymous chronicler's work? Or maybe even discovered his identity?